Reviews: 1. Paule Demats, Fabula, in Speculum, 52 : John Warden, ed. Warren Ginsberg, The Cast of Character. Linda E. Voigts and Michael R. McGurk et al. Adrian Wilson and Joyce L. Humphreys, ed.
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Diekstra, ed. Hilary M. Christopher Baswell, Virgil in Medieval England. In Modern Language Review April, : Lister Matheson, ed. Linne R. Keiko Ikegami, ed. Jeffrey Jerome Cohen, Of Giants. Pickering and V. D, in Speculum 80 April : Additionally, the collections include subsequent editions, translations, and adaptations, which demonstrate the transmission and reception of these works across centuries and attest to their continuing importance.
James Brander Matthews , America's first professor of dramatic literature, created a Dramatic Museum at Columbia in to supplement his teaching. He insisted that material objects and images were crucial to understanding drama, and that theater knew no geographical or chronological bounds. The differences in national style visible on the contemporary stage had their origins, he argued, in ancient local rituals and religious practice.
So in addition to considerable manuscript collections and a large collection of printed books, the Dramatic Museum included 34, theatrical portraits prints and photographs ; 2, speech recordings; 35, eighteenth-, nineteenth- , and twentieth-century playbills; approximately artworks, including costume and scenic designs and posters; puppets and masks; 12 models of historical theaters; and 29 stage sets. The Museum was formally dissolved and its collections dispersed in Dramatic Museum Realia consists of puppets, masks, theater models and stage sets.
The puppets and masks have all been photographed, and these images are presented here. There are 40 large over five feet tall shadow puppets and approximately other puppets, including six oversize marionettes made by the prominent artist Remo Bufano. Most were collected by the s; many date from the nineteenth century. How did early modern literature conceive the future?
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Scholarship of early modern literature has paid ample attention to the many ways in which time was perceived and understood, frequently emphasizing retrospective forms of historical thinking, such as memory and nostalgia. Early Modern Futures seeks to spark a conversation about the many ways in which early modern literature also thought about where things were headed. How did beliefs about future events from the eschatological to the economic to the genealogical shape people's actions in the present? How did early modernity understand the past in relation to the future? How was prospective historical thinking practiced through various textual and literary forms?
That is, how did records, scripts, manuals, genres, or editions represent the future or anticipate their own reception? How do the modes of early modern prospection as suggested by terms like prophecy, speculation, and progression point to different theorizations of futurity? How does present scholarship receive and use the past's ideas about the future?
This conference aims to explore early modernity's uniquely literary means for projecting its future, and through this to advance scholarly debates about the role and forms of historicism in early modern culture. This exhibit features correspondence, manuscripts, notes, drafts of speeches, photographs, and memorabilia from RBML's extensive collection of Frances Perkins' papers. The physical exhibit opened on November 5, and runs through March 26, Lindquist Papers archival collection at The Burke Library. They depict the people, places, and practices of Native Americans and their communities from at least 34 States, plus Canada and Mexico in the period from The majority of the images were taken by G.
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Lindquist , an itinerant representative of the ecumenical Home Missions Council of the Federal Council of Churches. The collection chiefly consists of architectural drawings approximately 5, and also includes photographs, personal papers, and other manuscript material. Harlem's first great soapbox orator, Hubert H. Harrison was a brilliant and influential writer, educator, and movement builder during the early decades of the 20th century. In the words of civil rights activist A.
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Philip Randolph, he was "the father of Harlem radicalism. Croix, Harrison moved to New York City in , where he worked low-paying jobs, attended high school, and then earned a living as a postal clerk - all the time engaging with radical political causes. By , he had become a leading activist and theoretician for the Socialist Party in New York City and soon thereafter he began actively supporting the Industrial Workers of the World. He opposed positions taken by Joel E. Spingarn and W. The Congress, the major Black protest effort during the war, demanded enforcement of the Thirteenth, Fourteenth, and Fifteenth Amendments and federal anti-lynching legislation.
Beginning in , he became the principal editor of Marcus Garvey's Negro World, which he reshaped into a leading political and literary publication of the era.
In its pages, he discussed history, politics, theater, international affairs, religion, and science. Later, he would criticize Garvey's methods and actions.
About this book
Harrison was a prolific speaker and writer in the s during which time he also founded the broadly unitary International Colored Unity League and edited The Voice of the Negro. Harrison's unexpected death following an appendectomy on December 17, , left behind his widow, four daughters, and a young son. A massive Harlem funeral spoke to his contemporary importance, but Harrison's work eventually faded from prominence. His radicalism on questions of race, class, religion, war, democracy, literature and the arts - and the fact that he was a forthright critic of individuals, organizations, and ideas of influence, were major reasons, along with his early death and the fact that he had no long lasting organizational ties, for his subsequent neglect.
The digitized images from the Hugh Ferriss Architectural Drawings and Papers Collection depict Ferriss' original architectural renderings of buildings by various architects, ca. Also included are Ferriss' renderings of imaginary buildings, ca. Ferriss' drawings of important buildings in the United States were created as a result of a nationwide tour sponsored by a Brunner grant from the Architectural League of New York in Many of these renderings were later published in Power in Buildings This collection contains about forty broadsides regarding communal and governmental regulations imposed in various Jewish communities throughout Italy from the 17th through the 19th centuries.
Topics addressed are synagogue behavior, market regulations, municipal workers such as firefighters, and more. The first major exhibition of treasures from the Special Collections Libraries at Columbia in over 50 years and gives the public a glimpse of the unique resources gathered by the University since its founding in Mounted in conjunction with the th anniversary of Columbia, this exhibition celebrates a rich collection of original books, manuscripts, individual and corporate archives, architectural drawings, ephemera, musical scores, works of art, and artifacts, embodying over 5, years of human history.
Draws together an unprecedented array of rare and unique items from eleven Special Collections - including a Buddhist sutra dating from the year C. Alexander Hamilton's wedding ring, a set model for the Ziegfeld Follies of , Dietrich Bonhoeffer's application for study at Union Theological Seminary, a fragment of the Iliad on papyrus, and a photograph of Czar Nicholas II with his family. The exhibition contains a variety of materials that show the working life of this truly remarkable individual. On display are letters, documents, ledgers, newspapers, photographs, and realia concerning his life, as well as material documenting Pulitzer's role in the founding of Columbia's School of Journalism and the creation of the Pulitzer Prizes.
Running through July, this is the first time that this material has been shown to the public. Project focused on materials relating to Urban's New York theater career from , specifically the documentation of his productions for the Ziegfeld Follies and other theater producers, and his productions for the Metropolitan Opera. The advent of gold-stamped decoration, circa , was the most important factor in the acceptance of publishers' bindings. Gold stamping brought to the mass-produced book some of the prestige associated with gold-tooled leather bindings of the pre-industrial era.
In fact, stamping often imitated the decorative styles and motifs of the hand-finished book. However, gold stamping also developed its own styles and imagery that reflected the period's taste and culture. Commonly referred to as the Samil Movement literally "three one" for its historical date on March 1, , the Korean Independence Movement was one of the earliest and most significant displays of nonviolent demonstration against Japanese rule in Korea.
The Special Correspondence Files of the Herbert Lehman Papers contain correspondence with nearly 1, individuals from through Beginning with letters from Lehman's family in the late nineteenth century, the series documents the range and scope of Lehman's long career in public service. In addition to family letters, the Special Correspondence Files contain letters from every President of the U. Smith, Adlai Stevenson, and Robert Wagner, among many others. At the very end of the 12th century, the prince-bishop of Malines Mechelen in today's Belgium funded a hospital to be run by a group of hospital sisters; these women in the coming centuries cared for the ill and ailing so well that several other dependent hospitals were funded out of this mother house in Malines.
Their institution was protected by the pope, Honorius III who also formally extended his protection to the Dominican, Franciscan and Carmelite orders , and a few years later by the local lord, Godefroid de Fontaines, bishop of Cambrai; the next pope, Innocent IV also issued a bull to the sisters in , as did pope Nicholas IV in , and pope Clement V in , from his residence in Avignon.
To these five founding documents, the collection adds two more of a slightly later date. The combination of the crucial materials, all present and in outstandingly good condition, allows one to form a view of the opening moments of a women's civic and religious organization, in ways that are hardly possible in the United States. The Centennial Exhibition of Columbia University's Department of Music, Music at Columbia: The First Years, mounted at Low Library as part of the department's celebration, was a highly varied and eclectic collection of items from many different sources.
This exhibition focuses on his life outside of Columbia as he devoted his time to the nascent art of photography, in particular the salt print paper-based photographic process.
As an early amateur photographer, Moore prepared his own chemicals and papers. He captured views of New York City and the Highlands of the Hudson area, his family and even a few self-portraits. Because salt prints are fragile and unstable, they have been digitized for long-term preservation. The Papers of John Jay is an image database and indexing tool comprising some 13, documents more than 30, page images scanned chiefly from photocopies of original documents.
Most of the source material was assembled by Columbia University's John Jay publication project staff during the s and s under the direction of the late Professor Richard B.